Date: Thursday 20 May, 2010, 7.30pm
Venue: The Deaf Institute, Manchester
Face value: £10
Support Act: Some guy from Greenland and Troubadour Rose
Gig buddy: The Husband
It's a big call to label a gig as Best Ever. Think about it - since The Husband and I started dating, we've seen about 50 gigs together and many many more before we ever clapped eyes on each other. To be the best you have to knock Bic Runga from her seat in the Spiegeltent in Brighton. You have to boot Sia off the microphone in The Night and Day Cafe. So a little perspective is required here. So let's have it.
Firstly, the venue was awesome. From the outside The Deaf Institute looms over a Mancunian side street like any other crumbling Victorian facade. Nothing special to look at. But wander inside to the shabby chic rich blood colours and decandent wallpapers and you find something else entirely. A tribute to classic design and an intimate little venue. And shit, the bar looks like this:

Look closely and you will spot The Husband. Find him?
And the stage, flooded by natural light from the Victorian atrium skylighting, looks like this:
But weirdly, my favourite design feature was in the toilets. Covering the walls was the best of all the wallpapers. And I was compelled to snap it just so you could get your mind around its awesomeness. I present: Bad Dolly, Good Dolly. Yep, a wallpaper in tribute to Ms Parton. How rock is that?
And the Music? Well we missed the first support act, Troubadour Rose. Never fear, I met them on the smoker's ledge outside (I just wanted some air, yet ironically, I don't smoke) and one of the eager band members offered me a CD. She was willing to part for it for nothing, but I told her that I would pay if she signs it. She says £3 but I give her a fiver and tell her I'll hunt her down if it's shit. She laughs nervously but signs the CD graciously.
The Husband and I head back inside to catch the guy from Greenland. I should really write stuff like names down, right? He's pretty good and very appreciative of the audience so we settle ourselves at the bar. And that when we spot that not only does this venue serve Kopparberg (I'm partial to a fine Swedish cider) but they serve Delirium Tremens. This is awesome news. And it's not everyday you find it in Manchester. Hell, it's barely any day that you find it here. So The Husband and I got chatting about Boston and Raleigh and how much they would appreciate where we were standing now - at a Ingrid Michaelson gig, in a great venue, drinking their favourite beer. And so I took a picture of how close we were to Ingrid singing and sent it to her:
Oh yeah, I'm a real peach of a friend like that. You see, not only was Ingrid singing, but she was doing the song that Raleigh played for us in a car somewhere. A cool version of Radiohead's
Creep. I got a message back, something along the lines of
BITCH BITCH BITCH!! And I laughed as I enjoyed the rest of the gig. The gig itself was all killer, no filler. Having soaked up everything available to me on iTunes, I knew every track. What made the performance even more awesome was her mad skills on the loop-machine thingy providing her own vocal percussion to an accoustic version of REM's
Nightswimming. Little known fact here: The Husband owns everything that REM has ever done. Every track, every album - shit, we've even got a coffee tray from one of their tours. So seeing his face beam in surprise and appreciation projected the evening a little further towards Best Gig Ever status.
Thinking of the accolade, in both instances before, I have met the artist. And so, I decided to risk missing the last train back to the country to hang about and see if she would come out and meet fans.
And lo! She did.
Oh yeah, I'm looking smug here. And so I should. I've just seen the Best Gig Ever.
Rating: You need to ask? 5 guitars, no question.